Final Film Critique Momento Mori Research Paper

Final Film Critique Momento Mori - Research Paper ExampleThis might be a straightforward suspense thriller if not for the in reading material of the customary chronology of a narrative. Rather than begin with the traumatic event, or early in the story with a few flashbacks to the traumatic event, the movie begins instead at its chronological ending, with Leonard enacting his revenge with the polarizing aid of a Polaroid camera. The story then proceeds in reverse, through a series of events in which each successive event precedes chronologically the event it follows. In effect, the movie mirrors the memory unhealthiness that afflicts its main character. Leonard maintains a pretense of continuity through a series of tattoos that define his identity and his dissolve and photographs that provide basic information about the people and objects with which he must interact. Equipped with these two modes of visual inscription, Shelby uses habit and routine to make his life possible. This turn out will offer a detailed criticism of the film focusing on three themes the double constitution of the films protagonist, the fate of Teddy as firm by the objects around him, and the unique position the audience is placed in if and when they become aware of the climactic error of the film. ... But if his mind suffers from his strange amnesia, his body remains as a canvass on which to archive those questions of identity that haunt the agency lost along with his memory. Some tattoos provide routines by which to self-identify his disorder (remember Sally Jankis) while others provide information (the series of Facts) about the mysterious John G. responsible for his wifes death. This cognitive road-map is in legion(predicate) was not nearly as striking and fetishized as it seems to be when it first appears on screen in reality, it represents merely a more dramatic version of the same externalized memory technologies we have depended upon since the origin of writing. We use these external and technological memory systems to help make sense of the world around us, given that there is so much of the world we do not understand and far too much of the world for us to ever easily remember. In a book titled Impossible Exchange, Jean Baudrillard argues that humanity, unable to deal with the radical uncertainty of the world, attempts instead to liquidate it, to destroy it by substituting an artificial one, create from scratch, a world for which we do not have to account to anyone (2001, p. 14). Given the doubts we have about the world, we prefer to find solace in the simulacra and simulations of places like Disney or religion or particular versions of history (Baudrillard, 1994), rather than face the reality that we do not know any of these things for sure. This is exactly what takes place in relic with Shelbys tattoo work. Thus, Shelbys attempt to use his skin as a place to store his memory is not as remarkable for its strangeness as it is for its banality in a culture defined by the seasonal rotation of