A sense of personal surviveing is indeed ceremonious as language and ‘nationalities’ provide a common mass strength for interaction, Skrzynecki uses the simile, “Like a homing pigeon Circling to get its bearings” to describe the whimsical and uncertain nature of the hostel. This simile illustrates the migrators as birds searching for their home, gaining closely respite in others of the same nationality. However, the “circling” is symbolic of their inability to pinch their home due to the uncertain nature of the hostel. The constant suit of clothes and uncertainty is in fact circular and therefore has a stagnating effect on the search for going of these unsettleds. Accordingly, this portrays a disapprove disaffection experienced by the migrants in which no discuss is felt. In Stanza three, Skrzynecki reiterates the bird simile, however this time comparing the migrant experience to that of “birds of passage”. The migra tory nature of these birds is sort of dissimilar to the “homing pigeon”, conveying a transitory nature of their criminal maintenance as what birds of passage do. By doing this, Skrzynecki reintroduces an atmosphere of uncertainty on with the suggestion, “We lived like birds of passage-, Always sensing a change, In the incline”.
The use of the collective first person pronoun “we”, helps depict the wholeness amongst the migrants, giving an indication that the migrants are not certain of where they belong anymore. “For over two years” of unpredictable and incon sequential living, they are looking for a ne! w place to belong to, quite the new landscape where they have come to, conveying their discouragement to conform to a society and leave aberration. Skrzynecki poetically illustrates alienation through his personal experiences successfully throughout the whole metrical composition ‘Migrant Hostel’. Although at times unity is conveyed by the migrants, alienation dominates as the key theme, proving...If you want to get a full essay, order it on our website: OrderCustomPaper.com
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